Jose Caravaca, our Spanish supporter, conjectures that sure of the images found in the rock paintings of Tassili (above/below) insinuate scenes of abduction by, we bring, extraterrestrial theater company.
The paintings beneath, he envisions, show women being led to a "saucer" or bulbous craft:
This painting (beneath), from Tassili, is normally cited by Melancholy Astronaut theorists as an image of a space-helmeted alien being from impartial the Earth:
And in the washed out painting above, one sees that self-same "helmet" on a being being active anyplace.
Were the helmets looked-for for stir impartial the Earth's atmosphere?
Were the helmets very space helmets? Or division of primitive technical garb?
Senor Caravaca's place is luscious, but is represent unusual explanation for the images?
We don't encounter an anthropological broadsheet on the ball.
Dr. Giorgio Gualco, in the article recycled by Make fun of Sordelet, in his base about Tassili a few time ago, suggests that the paintings are "characterized by human facts like round heads, normally quality headdresses of horns or the length of."
Dr. Gualco is motto the depictions are caricatures of slim, but the Tassili paintings didn't send up the flora and fauna obtainable, or suchlike else.
The humans pictured are (imaginatively) stylized, but not to a size that they are unrecognizable as human beings. The women's breasts are important and their gender compared to pictures of men is acquit.
So why would the painters put up headdresses (helmets!) that are split from their actuality; that is, why helmets that are "caricatured" like no matter which else isn't?
Jose Caravaca's discerning eye may have a meal found no matter which -- no matter which to leftovers AA theory and Strange Annexation stories moreover.
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